What if we told you that the continuing future of filmmaking came in bits and bytes? It surely does! This is why why some follow focus pullers may find it hard to survive the continuing future of the digital cinematography.
Any experienced focus puller also known as First Assistant Camera or 1st AC, won’t hold an opposing view to the fact that DSLRs already outweigh the pros of film camera on the production lines. And the admiration with which they’re released and adopted is simply unbelievable.
Are you really worried about all that obsession? What you are looking to is receiving a phone call from the producer, grab the gig, make it to the set on time, and there you go – do what you’re proficient at – pulling focus. It hardly makes a difference what camera you decide to showcase your great talent.
There are three creative ways when adapted, make focus pullers survive in the digital cinema they’re so fond of. Well, these adaptations may seem like going for a walk in the park for you, but don’t you forget each of them will play their respective role in your path leading to an excellent career.
1. Comprehend Digital Procurement and Formats – There are several focus pullers who’re embarking on their journey leading to the world of the digital cinematography at this moment. It creates suddenly so clear that they can undergo the right training. Moreover, they’ll become proficient when operating a digital camera.
link alternatif colowin Have you been in this game for a long time? Then it will not be the case. You can find endless digital cameras that experienced a change from the grass root level. This is because these cameras were put into action by productions with a poor budget.
As time passed by, the format was adopted a high number of prominent Hollywood productions. So, it indicates there are several 1st ACs who have very little experience with digital. Their experience is almost next to none.
“In theory, there’s hardly any change in the work: Laying marks usually do not change, criticism still seems simple, and pulling focus isn’t smooth. But you have to comprehend a completely different set of technical information. Generally, you should grasp the fundamentals of how image sensors operate, which cameras shoot the various file formats and much more.”
You always must be prepared to cope with any problems (arising out of the blue). Maybe you won’t consider the idea of crack opening an electronic camera to fix it throughout a shoot, it’s important so that you can understand how it functions on the inside.
A focus puller should be the (go-to) technical person for all things pertaining to the camera.
Create a Sound Investment in Digital Specific Gear – Decreasing question people ask is what gear they ought to have in their toolkit. Well, it depends on which kind of a camera a person uses to shoot on.
P.S – The tools which are useful for a film camera seem unique of the ones used for a digital camera. Needless to say, there’s overlap, but you got to know that there’s gear that is specific to one format.
Here are some items which focus pullers have within their bags which are stringently used in digital productions:
Audio Cables and Adapters
USB Lens Light
MEMORY Readers (SD and CF)
Well, it’s good to learn information that none of the above-listed items are essential on a film set, but they’re good things to have (just in case).
Looking to continue to work in this industry? Then you need to make investments in the types of tools you need which you can use for digital cameras specifically.
3. No Need to Use More Rehearsal Time – More likely to criticize me for this one? Remember that I’m on your side no matter what. Not only do rehearsals play a very important role for focus pullers but they’re also imperative to film crew. When you practice a shot, it not only helps you set up a flow but fix mistakes as well. Not only that, it’ll also assist you to shorten the time actually spent when shooting.
Ed Colman, an exceedingly talented cinematographer, once said: “When you are told to ‘shoot the rehearsal’ it’s not a rehearsal anymore.” However the undeniable truth (sounding unfortunate) is that rehearsals are becoming a priceless entity.
With digital cameras, both directors and assistant directors feel there’s no harm with regards to rolling on the rehearsals. Even producers think alike. And when the rehearsals are increasingly being rolled on by these experts, they would like to record it.
Gets the footage been thrown set for being shot? Gets the slate been clapped? Well, you’re just about taking a plunge directly into Take One regardless of what you call it.
Final Words
Want to sustain your existence in this industry for long? Then you have to make certain you pick up everything you need. You should even learn how to cope with the added pressure without rehearsals. However, you will see a constant dependence on rehearsals for certain shots. And you will have times when you can have one.
Don’t forget that almost always there is be a desirable dependence on Focus Pullers or First Assistant Camera, and crew who’s well aware of the technical side of the camera are designed for it without hassles.
In the end, it’s you who must judge how you’ll adapt you to ultimately the ever-changing industry.